My wife Irina and I were driving the car, enjoying a lovely California evening with the radio playing in the background, when suddenly we shut up, locked eyes, and together declared, “Dude, that sounds like Dan!”
We actually stopped the car so we could crank up the volume without distraction, our eyes riveted to the FM radio dial, anticipating each subsequent note that might offer a clue that the groovalicious bass line was performed by somebody other than our dear friend Dan Rothchild. The feel was sexy, the pocket was deep, and the tone articulate and round. The bass was the perfect pivot for Sheryl Crow’s visceral vocal performance of a song that would soon be a massive hit, “If It Makes You Happy.” Dan later told me that this overdub session took only 20 minutes of getting a tone, and 20 minutes of tracking.
The thing that blows my mind is that Irina and I both instantly recognized Dan’s unique character just as easily as we did Sheryl’s identifiable voice. By virtue of countless recording sessions with Dan, I was intimately familiar with his musicality, but Irina only knew the finished recordings, which were merely a small fraction of her playlists that included Seal, Crowded House, The Beatles, Peter Gabriel, et al. She had plenty of star power on her mix tapes, and no reason to pay any particular attention to our homeboy who rode mountain bikes and ate Thanksgiving dinners with us. Yet somehow Irina instantly recognized Dan’s unique musical DNA.
I called up Dan to find out if it was indeed he who rocked the track. He modestly confirmed what I already knew in my bones. I was so happy for him! He was on another hit, one that was certain to raise his profile. Dan then told me that he was finally getting to really do what he loved. He was contributing on a creative level, live and in the studio, with many of his favorite artists.
I’m writing about Dan Rothchild today because there are so many things to learn from him about professional attitude and behavior, whether you’re on the way up or a veteran pro. Here’s one of the secrets to success, as exemplified by Dan: The right attitude attracts opportunities. Plus, it doesn’t hurt to spend your time doing what you love.
Dan was regularly getting called up to the bandstand by Jon Brion during Brion’s Largo residency, which was the equivalent of a master class in unrestrained creativity for us mere mortals. A quick glance at the audience would reveal a diverse crowd ranging from Aimee Mann and Michael Penn to Fiona Apple and Toad The Wet Sprocket. Everybody in the club hoped to catch a sprinkle of Brion’s mad genius, but Dan transcended that desire. He was actually adding to the strange brew without a net and in the moment, and he was loving it!
So, how did he get to that place in his career where his professional and personal dreams so peacefully coexisted?
Dan’s initial success came from consistency, character and, perhaps most importantly, his positive “we’re all in this together” attitude. Whenever I called Dan for a job, I knew with confidence that we were going to have a good day. The mood would be fun, and the results would be super pro. Dan knew when to cut up and when to shut up & rock. He still does. That’s why he’s one of the top cats in the business.
Dan may be the ultimate team player. He is more than capable of running the show, as evidenced by his production of Better Than Ezra’s hit album Deluxe, but he respects the creative process enough that he is comfortable adapting to whatever role the situation requires. Even when I was the producer on various records, I knew that I would learn something new from the guy I hired. I distinctly recall Dan teaching me how to watch the lead singer’s lips to lock in the phrasing when doing background vocals. Seems obvious, right? Well, it’s not…at least not until you think of doing it. I also remember him showing me two different bass guitar tuning strategies, one for ballads and the other for faster tempi. Strings tend to drop in pitch after the initial attack, so Dan tuned for the sustain on slow songs and for the attack on faster ones with lots of eighth notes.
When you hired Dan for a gig, you got much more than a bass player. You got an encyclopedia of music history, who would happily share knowledge bequeathed to him from his rock royalty father, legendary producer Paul Rothchild, whose myriad credits include The Doors and Janis Joplin. No matter how fresh or unique you are, you will always benefit from having someone who learned from the Masters on your team. Dan is that guy, yet he is full of experimentation and serendipity.
Dan always brings his A-Game to a session, regardless of the status of the artist. Major label or independent, it makes no difference to his performance or attitude. Watching him do his thing is a reminder to me of what is truly important to any artist who hires me: the artist wants me to make him/her feel good about the music.
Apropos of that, I recall working on the New Radicals album, Maybe You’ve Been Brainwashed, Too. Before cutting the song “Crying Like A Church On Monday”, the band (Dan on bass, Gregg Alexander on vocals and acoustic guitar, Dan McCarroll on drums, Danielle Brisebois on percussion, and yours truly on electric guitar) experimented with some arrangement ideas, and really began to gel into a tight unit. And then McCarroll, who was known for playing with Jellyfish alumni in The Grays, tells us that he needs to leave for another gig…before we even pressed the Record button. No need to worry, though, because Dan Rothchild was friends with virtually everybody in the record business. He suggested we call Matt Laug, who played drums on Alannis Morrissette’s Jagged Little Pill.
Soon enough, Matt was set up and ready to rock. Before recording, however, everybody in the room was so inspired by the new chemistry that we jammed on Police songs for an hour! Nobody was stressed about time because we were in the zone, living in the moment, loving the sheer joy of music. Finally we cut the song. It was so easy to fall into the perfect groove with that combination of cats who knew how to listen, and knew how to have fun.
As a treat to you, my beloved readers, before I wrap up this post, I’ll share a couple personal vignettes that I probably shouldn’t. Even if I get in trouble, these are too good to take to the grave.
1. For a brief time, Dan’s nickname was HinderHat. He was fearless on a mountain bike. Before a challenging race in 1990, my pro cycling colleagues and I warned him to watch out for the Rim Wrecker, a technical kamikaze jump over a concrete irrigation trench that could be safely avoided by pedaling around it. It was marked with a makeshift tombstone made of taco’ed rims. The detour, although safe, was a clusterfucked traffic jam. The fastest line was the straight airborne one—provided you had enough speed, skill and guts to clear the jump. After the race, Dan said he looked for the hazard each lap, but never saw it, even though he sailed right over it! Clearly he focused on the goal, and didn’t get hung up on the obstacles in his path.
The race bug bit him, so Dan began training with a small group of elite racers. One day he discovered that his tires were shot, so I left a pair of new skins for him at my home. My training partners and I pedaled the eleven miles to the trailhead while Dan drove to my place, picked up the tires, and then chased us by bike to the trail after he installed only one of the tires. He wrapped the other new one around his helmet, like a turban, and planned to change it at the designated meeting place.
When he arrived, however, Dan was eager to hit the mountains, so he elected to wear the tire “hat.” The knobby turban, which understandably slowed him down a bit—and caused at least one spectacularly hilarious crash—became known as The Hat That Hinders Dan’s Progress. And Dan became affectionately known as HinderHat. He didn’t seem to mind, though. If everybody else was happy, then so was Dan.
2. Dan recorded Better Than Ezra’s electric guitar amplifier in a van, outside his West Hollywood apartment, by running mic and instrument cables out of the second story studio window to the parking lot. I guess the landlord didn’t want him to record loud music inside the apartment, so Dan did not record loud music inside the apartment. No worries. Problem solved? Check. Hit record? Check.
Circling back to the theme of doing what you love, the takeaway is that we can create our fantasy life by behaving like the person who would actually live such a life. Across the 27 years I’ve known Dan, he has consistently behaved like the guy you want to have on your team; like the guy who would produce a hit record; like the guy who would play bass for Heart, Sheryl Crow, Shakira and Fiona Apple; like the guy who would get his friend a coveted A&R job at a major label. Because of his behavior, all of those things became reality.
So, how does this story relate to the rest of us? Simply put, let’s behave like the people we want to be, to ensure we live the lives we want to live.